How absurd men are! They never use the liberties they have, they demand those they do not have.
They have freedom of thought, they demand freedom of speech.
~Søren Kierkegaard

Sunday, May 28, 2006

NT Wright on Da Vinci Code's Myth of Christian Origins









NT Wright, one of the world's preeminent New Testament scholars, offers here a good summary of the tired version of "history" recounted in Dan Brown's The Da Vinci Code:

The myth that I am about to describe and critique is well known and widespread. I have met it at Harvard; I have met it in Baptist churches in the South; I have seen bits of it all over the American Academy of Religion and the Society of Biblical Literature, which is the more ironic since those societies used to be devoted, in theory at least, to the supposedly scientific historical study of religions and ancient texts, and this myth is anything but scientific or historical. There are five elements in the myth, and The Da Vinci Code offers a sketchy but clear enough account of all of them.

This is the myth: First, there were dozens if not hundreds of other documents about Jesus. Some of these have now come to light, not least in the books discovered at Nag Hammadi in Egypt 60 years ago. These focus on Jesus more as a human being, a great religious teacher, than as a divine being. And it is these books which give us the real truth about Jesus.

Second, the four Gospels in the New Testament were later products aimed at divinizing Jesus and claiming power and prestige for the church. They were selected, for these reasons, at the time of Constantine in the fourth century, and the multiple alternative voices were ruthlessly suppressed.

Third, therefore, Jesus himself wasn’t at all like the four canonical Gospels describe him. He didn’t think he was God’s son, or that he would die for the sins of the world; he didn’t come to found a new religion. He was a human being pure and simple, who gave some wonderful moral and spiritual teaching, that’s all. Oh, and he may well have been married, perhaps even with a child on the way, when his career was cut short by death.

Fourth, therefore: Christianity as we know it is based on a mistake. Mainstream Christianity is sexist, especially anti-women and anti-sex itself. It has aimed at, and in some places achieved, considerable social power and prestige, enabling it to be politically quietist and conformist. This, I find, goes down especially well with those who are escaping from either fundamentalism or certain types of Roman Catholicism.

Fifth, the real pay-off: It is time to give up, as historically unwarranted, theologically unjustified, and spiritually and socially damaging, the picture of Jesus and Christian origins which the church has put about for so long, and to return to the supposedly original vision of Jesus himself, not least in terms of getting in touch with a different form of spirituality based on metaphor rather than literal truth, of feeling rather than structure, of discovering whatever faith you find you can believe in. This will revive the truth for which Jesus lived, and perhaps for which he died.

Dan Brown adds his own touches to this fivefold myth; for instance, in line with some other recent writers, the suggestion that this genuine spirituality, which Jesus would have taught us had his message not been hushed up, may well involve reconnecting with the sacred feminine. (How that actually works out in terms of his own plot isn’t clear, and the ending of the book is a major anticlimax. Is the Holy Grail itself after all just another metaphor for boy-meets-girl romantic love?)

As I say, I had met this myth in various forms all over the place, long before Dan Brown wrote his book. Brown has, however, given it wings, and I fear that it is now flying all over the place and confusing many people as to what they can and can’t believe. The deepest irony about it is that it portrays itself as historically rooted, when it is a tissue of fantasy; as going back to Jesus himself, when he would not have recognized anything like it; as embodying the really creative new voice of Jesus, when it is simply offering a variation on a well-known pattern of postmodern spirituality.
The lecture can be read in its entirety here.

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Kevin
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